Art / Lab 刘香林 - 万种可能
Du/Laboratory是一个综合性的试验平台,涉及的创作媒介跨越当代艺术的各个层面,对四处空降的国际化当代艺术潮流保持一种警惕性,同时致力于艺术家自身系统的充分、深入挖掘,持续关注徘徊在艺术和非艺术边缘“中间状态”的实践。
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刘香林
《A Ring》 Performance Art Du/lab Space Shenzhen 2015
模拟绝大多数人上班时间朝九晚五9:00—17:00,(另加班2小时),每天超强工作8小时(法定节假日除外),用了大约11个工作日/ 88小时/5280分钟(由于无法支撑身体某一部位长时间高频率的重复动作,再除去节假日,整个过程实际耗时3个月),把一支廉价啤酒瓶用砂纸经过手工反复打磨形成一枚戒指。
It is simulated that most people work from 9 to 5 from 9:00 to 17:00 (plus 2 hours of overtime), and work 8 hours a day (except statutory holidays), which takes about 11 working days / 88 hours / 5280 Minutes (because it can't support long-term high-frequency repetitive movements of a certain part of the body, and excluding holidays, the whole process actually takes 3 months), a cheap beer bottle is manually sanded repeatedly to form a ring.
《JPG》 行为艺术 深圳 2015
《JPG》 Performance Art Shenzhen 2015
在任何信息资料可以快速复制粘贴的时代,我手工把一张彩色风景照片用长时间反复摩擦的方式,把照片上彩色图案“信息”(油墨)擦到一张DVD碟上,达到“信息”写入。
In the era when any information can be quickly copied and pasted, I manually rubbed a color landscape photo with repeated rubbing for a long time, and rubbed the color pattern "information" (ink) on the photo onto a DVD disc to achieve "information" write.
《压强》 行为艺术 观空间 广州 2015
《Pressure》 Performance Art Justart Space Guangzhou 2015
个体“皮囊”是一层层的不真实自我和“有待探索的途径”。
Individual "skins" are layers of unreal self and "paths to be explored".
《600位微信好友的432000小时》 网络行为互动 微信朋友圈 2016
《432000 hours for 600 wechat friends》
Performance Art Wechat circle of friends2016
在一个月时间里,坚持每天在0点过后,翻看当天600余位微信好友24小时之内微信朋友圈能见信息,并把微信里带有情感的所有文字去除,收集仅存留下的标点符号共计4万余个。
文字作为人类第一现场语言外的第二现场语言,具有记录和回忆第一现场语言的功能。在网络的世界里,文字转换为第一现场语言。语言在虚拟世界里的状态变得模棱两可,真实度是可疑的。
For a month, I insisted that after 0:00 every day, I looked at the information that could be seen in the WeChat Moments of more than 600 WeChat friends within 24 hours of the day, and removed all words with emotions in WeChat, and collected the only remaining punctuation marks. A total of more than 40,000.
As the second field language besides the first field language of human beings, writing has the function of recording and recalling the first field language. In the networked world, text is translated into the first live language. The status of language in the virtual world becomes ambiguous, and authenticity is questionable.
《187颗星星》 行为艺术 2016
《187 Stars》 Performance Art 2016
187家商铺招牌中最亮的那颗LED灯组成的星空图。
The star map composed of the brightest LED light among the 187 shop signs.
《三尺八寸一》 装置艺术 寄居画廊 广州 2017
《127CM》 Installation art JiJu Gallery Guangzhou 2017
美妙的失控,“造物主”的工具
工具作为人肢体的知觉延伸,带来的惊人成果,形成了人依赖于工具,工具反映给人使用的“标准化”动作。人对工具依赖的结果促使人和工具的主辅关系产生了逆转,人在摆脱肢体疲劳的过程中,无限追求工具带来的舒适度,而智能化这样的高级别工具让人更依赖于其带来的“替代式”生活,本该是人的延伸和被使用的工具逆袭成主导人进行“标准化”思考和劳动的主体,人的意义堕落成一次次借由工具带来的“完成”感。
凯文·凯利说“人造世界就像天然世界一样,很快就会具备自治力、适应力以及创造力,也随之失去我们的控制。但在我看来,这却是美妙的结局。”
Wonderful out of control, tool of the "creator"
As a perceptual extension of human limbs, tools have brought amazing results, forming people's dependence on tools, and tools reflecting "standardized" movements used by people. As a result of people's dependence on tools, the main and auxiliary relationship between people and tools has been reversed. In the process of getting rid of physical fatigue, people endlessly pursue the comfort brought by tools, and high-level tools such as intelligence make people more dependent on them. The "alternative" life brought by it should have been an extension of human beings and the tools used to counterattack into the main body that dominates human's "standardized" thinking and labor. "sense.
Kevin Kelly said, "The artificial world, like the natural world, will soon become autonomous, adaptable and creative, and with it, will lose our control. But in my opinion, this is a happy ending."
《食物》 装置艺术 2016
《Food》 Installation art 2016
《素描维纳斯》作品局部 行为装置 2017
《Sketch Venus》 Part of the workPerformance Art&Installation art 2017
用砂纸打磨一尊120cm高维纳斯石膏体至圆润,再用铅笔在石膏体上用素描排线的方式全身覆盖铅笔笔触至通体乌黑发亮。
Sand a 120cm high Venus plaster body with sandpaper until it is round, and then use a pencil to draw lines on the plaster body to cover the whole body with pencil strokes until the whole body is black and shiny.
《云朵之上,飞翔的十二根羽毛》 行为艺术 你我空间 广州 2018
《There are twelve feathers flying above the clouds》
Performance Art U&M Space Guangzhou 2018
《大扫除》 行为艺术 南京艺术学院美术馆 南京 2018
《General Cleaning》 Performance Art
Museum of Nanjing University of the Arts Nanjing 2018
收集美术馆里的灰尘,慢慢把灰尘聚拢拼成“历史”二字。
Collect the dust in the art gallery, and slowly gather the dust and spell it into the word "history".
《炒作》行为艺术 深港城市\建筑双城双年展 南头古城 2018
《Speculation》 Performance Art
Bi-City Biennale of Urbanism\ArchitectureNantou Old Town ShenZhen 2018
萨斯基亚·萨森《全球化及其不满》:全球城市的新景观,是一小部分包括政治家,资本家以及专业人士,以及一大群的低收入劳工,这两种城市使用者的差距日渐扩大,在传统和现代的城市里,风景(文化上和政治上占统治地位的人的空间)与本土(被剥夺了资源的无权无势的当地人的空间)相互对立。
Saskia Sassen, Globalization and Its Discontents: A New Landscape of Global Cities, a Small Group of Politicians, Capitalists, and Professionals, and a Large Group of Low-Income Labor Increasingly, in traditional and modern cities, the landscape (the space for the culturally and politically dominant people) and the native (the space for the powerless local people who are deprived of their resources) are opposed to each other.
《无题》 行为艺术 諝空間 南昌 2019
《Untitled》 Performance Art SNARTE SPACE NanChang 2019
一组预设好的镜像表演,从中发现细微的动作异化,慢慢把这种异化引导放大成肢体冲突。
A set of preset mirror performances, in which subtle movements are found to be alienated, and the guidance of this alienation is gradually enlarged into physical conflicts.
《快递》 行为艺术 EP空間 广州 2019
《Express》 Performance Art EP SPACE Guangzhou 2019
在一个月的展览时间里,每天给此艺术机构邮寄一个快递,艺术机构工作人员每天签收,摆放到展厅,直到一个月后展览结束。
During the one-month exhibition period, a courier will be mailed to the art institution every day, and the staff of the art institution will sign for it every day and place it in the exhibition hall until the exhibition ends one month later.
《消失》 行为艺术 UP-ON向上国际现场艺术节
西南交通大学 成都 2019
《Disappear》Performance Art UP-ON International Live Art Festival
Southwest Jiaotong University Chengdu 2019
《15》 行为艺术 澳门国际现场艺术节 澳门 2021
《15》 Performance Art
Macau International Performance ArtFestival Macau 2021
《一万种可能》 行为艺术
“在云上”国际现场艺术节 多彩贵州城 贵阳2021
《10000 Possibilities》 Performance Art
Over-the-Cloud International Live ArtsFestival
Colorful Guizhou City Guiyang 2021
《10:14和2:18之间,我能做什么?》行为艺术 夜郎谷贵阳2021
《Between 10:14 and 2:18,What can I do?》
Performance Art
Yelang Valley Guiyang 2021
在时间的河里,抉择艰难,只有精神逆流而上。
In the river of time, the choice is difficult, only the spirit goes upstream.
《同速直线运动中的运气》行为装置互动 国风艺术馆 深圳 2021
《Luck in linear motion at the same speed》
Performance Art&Installation art
Guofeng Art Museum Shenzhen 2021
主动体的行动为满足目的对象而转换成被动体给予目的对象诉求。这是一种“被约束的无奈”的表述。
In order to satisfy the target object, the action of the active body is transformed into the passive body to give the target object the appeal. This is an expression of "restrained helplessness".
《控制》 行为艺术 国风艺术馆 深圳 2021 《Control》 Performance Art Guofeng Art Museum Shenzhen 2021
刘香林
1983年生于湖南
现工作生活于深圳
独立艺术家,策展人
H SPACE 艺术空间联合创始人 & 艺术总监
“个体户”独立艺术厂牌主理人
获奖
2017
第二届圈子艺术青年奖—深圳新锐奖
个人项目
2017
三尺八寸一,寄居画廊,广州,中国
个展
2021
法老王,TCG诺地卡国际艺术中心,昆明,中国
部分群展
2022
重叠卡塞尔-行为艺术文献展,蘑菇厂,卡塞尔,德国
2021
未知地带:思变 — 第四届深圳当代艺术双年展,华侨城创意园,深圳,中国
共生-中国与葡语国家艺术年展,塔石艺文馆,澳门,中国
油罐玩家艺术节,油罐艺术中心,上海,中国
通感—第九届“在云上”国际现场艺术节,TCG诺地卡国际艺术中心,昆明,中国
澳门国际现场艺术节,旧法院大楼地面展厅,澳门,中国
2020
十二年:现场档案 — UP-ON向上国际现场艺术节2008-2020,麓山美术馆,成都,中国
珠江计划 — 珠江流域行为艺术文献展·越南站,Heritage Space,河内,越南
2019
第七届UP-ON向上国际现场艺术节,UP-ON向上现场艺术空间,成都,中国
珠江计划 — 珠江流域行为艺术文献展·新加坡站,Coda Culture,新加坡市,新加坡
2018
第19届OPEN国际行为艺术节,你我空间,广州,中国
2017
第七届深港城市\建筑双城双年展(深圳),南头古城,深圳,中国
越过界—国际跨媒体艺术节,赛马会创意艺术中心,香港,中国
2016
2015中国行为艺术年鉴,今日美术馆,北京,中国
“异质共生”国际当代艺术展,长江当代美术馆,重庆,中国
2013
圣艾蒂安(法国)国际设计双年展,圣艾蒂安当代艺术中心,圣艾蒂安,法国
Liu XiangLin
Born 1983,Hunan,China
Work and live in Shenzhen
Independent artist and Curator
H SPACE Art Space Co-founder & Art Director
Owner-Principal of “Anti-Employment Artist” Indie Art Label
Awards
2017
2nd Circle Youth Art Award-Shenzhen cutting-edge Award
Solo Art Project
2017
127cm,Jiju Galler y,Guangzhou,China
Solo Exhibition
2021
FA LAOWANG,TCG Nordica International Arts Center,Kunmin,China
Selected Exhibitions
2022
Overlapping Kassel-Performance Art Documenta,Mushroom Factor y,Kassel,Germany
2021
Uncharted Territor y:For a Change - The 4th ShenZhen Biennale of Contemporar y Art,OCT-LOFT,ShenZhen,China
Symbiosis-Annual Arts Exhibition between China and Portuguese-speaking Countries,Tap Seac Galler y,Macao,China
Tank Art Festival,Tank Art Center,Shanghai,China
SYNAESTHESIA — The 9th Over-the-Cloud International Live Arts Festival,TCG Nordica International Arts Center,Kunming,China
Macau International Performance Art Festival,Old Court Building Ground Floor Exhibition Hall,Macau,China
2020
TWELVE YEARS:THE ARCHIVES OF SCENE 一 UP-ON International Live Art Festival 2008-2020,Luxehills Art Museum,Chengdu,China
PEARL RIVER PROJECT—Pearl River Basin Performance Art Documenta·Vietnam,Heritage Space,Hanoi,Vietnam
2019
The 7th UP-ON International Live Art Festival,UP-ON Live Art Space,Chengdu,China
PEARL RIVER PROJECT—Pearl River Basin Performance Art Documenta·Singapore,Coda Culture,Singapore City,Singapore
2018
The 19th OPEN International Performance Art Festival,U&M Space,Guangzhou,China
2017
The Seventh Bi-City Biennale of Urbanism\Architecture(ShenZhen),Nantou Old Town,ShenZhen,China
CROSSING BORDER︳BORDER CROSSING—International Festival of Intermedia,The Jockey Club Creative Arts Centre(JCCAC), Hong Kong,China
2016
China Performance Art Yearbook2015,Today Art Museum,Beijing,China
"The Heterogeneous and Symbiotic" International Contemporar y Art Exhibition,Changjiang Contemporar y Art Museum,Chongqing,China
2013
Biennale Internationale du Design de Saint-Étienne,The San Etienne Contemporar y Art Center,Saint-Étienne,France
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Du/Laboratory is a comprehensive experimental platform, involving creative media spanning all levels of contemporary art, maintaining a vigilance against the international contemporary art trend that airs everywhere, and at the same time committing to the full and in-depth excavation of the artist's own system, continuously Focus on practices that hover in the "middle state" on the fringes of art and non-art.
Du/Laboratory是一个综合性的试验平台,涉及的创作媒介跨越当代艺术的各个层面,对四处空降的国际化当代艺术潮流保持一种警惕性,同时致力于艺术家自身系统的充分、深入挖掘,持续关注徘徊在艺术和非艺术边缘“中间状态”的实践。
ANDEREAS BLANK’STUDIO
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